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This week I learned about the Golden Poppy Award! I'd never heard of it before.
The California Independent Booksellers Alliance (CALIBA) presents the 2025 Golden Poppy Awards in recognition of the most distinguished books written and illustrated by creators who have made California their home.

There's tons of categories, I made a direct dash to the Octavia E. Butler Award for science fiction, fantasy, and horror.
I dug into the Intergalactic Mixtape archives to see what reviewers were saying about these books, because this is one of my most favorite nerdy things to do. I had reviews for Automatic Noodle, The Night and the Moth, Notes from a Regicide, and Red City. Alas, I had none for Kill the Beast, which is interesting because it came out in October, after I had expanded my review sources. But! The mixtape is still a baby.

If you like reading multiple opinions of books, this may interest you!

cover for Automatic Noodle with a huge pot of sauced noodles being lifted with chopsticks by a robotic hand. At the bottom there's a city skyline and different types of robots represented


"There’s something timely about a novella in which the major plot line is a campaign of 'coordinated inauthentic activity' against members of marginalized communities who have the temerity to eke out a modicum of success." — Unofficial Hugo Book Club

"However, I’d like to think that coziness can be achieved without blunting the edges of what should be high stakes: war, enslavement, debt, bigotry, and climate change, to name a few of the topics that are explicitly mentioned in the story." — Misha Grifka Wander @ Ancillary Review of Books




cover for The Knight and the Moth with a white woman blind folded by her own blonde hair. Half of her body is wearing armor and the other half is wearing a sheer dress. Moths and flowers are sprinkled throughout.


"This book has some fantastic main characters. I think Sybil is an incredibly compelling main character. I loved her journey of growth and learning to stand on her own and find her own strength." — Samantha @ ladybug.books

"I felt like these two came together because it was following the vibes of a romance plot rather than because it worked naturally: though it had the beats for a good hatred-to-love arc, it was missing the heart." — Kristen @ Fantasy Cafe




cover for Notes from a Regicide where a framed painting rests inside another broken frame. The unbroken frames has three figures with their faces smeared.


"I do not think I have ever read anything that captured the idiosyncracy, the mundanity and the marvel, of love like Notes from a Regicide does. It is a love story, of a child to parents, of a man to his wife, and of a whole family, each for each other and themselves. It captures a love that includes the flaws, the boredom and the habit, the mysteries." — Roseanna @ Nerds of a Feather

"Notes is thoroughly trans, saturated with transness; but, like love, transition doesn’t cure all ills for Fellman’s characters. What it does do is allow the imperfect and necessary love that is the backbone of the book’s story to exist." — Amy Nagopaleen @ Strange Horizons




cover for Red City by Marie Lu where a stylized version of a stone lion with wings is centered on a textured red background. Along the bottom of the cover, city skylines are overlapped.


"Mixing familiar tropes from crime fiction, magical boarding school-set fantasy, Lu’s first adult novel is a dual chosen one narrative full of seemingly impossible choices, morally gray characters, and uncomfortably real consequences that never privilege either of its leads over the other." — Lacy Baugher Milas @ Paste (RIP)

" Red City is a good read; a book that begins with secret academia and then draws you in to a life of wealth and vice created by magic, with characters that are nuanced and a setting that works on the whole." — Mark Yon @ SFF World

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